A Slaughter Supreme (or, how we killed The Do)

September 10th, 2007

It’s been an adventure alright, but what does our story mean?

When we first summoned the twisted luminous spirit out of the woods and into the basement it glowed so bright our eyes watered. The brief chronicles of The Do tell a strange tale, of epic highs and cruel lows. The people came, they shared our misshapen imagination, they danced to the oddball beats and they celebrated the weird like true winners should.

You filled us up people, we were warm inside.

Our favourite music never sounded better than when you hurled and jumped and wriggled and contorted yourselves to it. Doubts subsided, we knew why we were here and we knew it was meant to be this way. We brought some people who make music, we watched some ignite, they all made us proud. But dark forces loomed close, closer than we could bear. They crept in and stifled our fun, they sucked out the joy because they expelled the people who brought it. The spirit glowed, but darker, and we trembled.

We had to slaughter The Do in the form we all knew, it was being choked, it was in pain. It was the only right thing we could do.

Free now from the darkness, the spirit glows again, not dead but there inside us….

Don’t call it a eulogy

WE HEART YOU

The Last Ever Do
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Darling it’s better, down where it’s wetter…

August 12th, 2007

When I was a lot younger I used to sit on the floor of my tiny bedroom with my sister’s ‘The Little Mermaid’ album on tape and my Dad’s tape player. The tape player in question had 2 (yes 2!) tape-decks on it to allow you to copy between them. This also meant that it had the glorious ‘high speed dub’ function! I used to spend hours playing about with this, slowing down and speeding up the Disney classic until my rather annoyed Dad would take it off me and return the album to my somewhat disturbed sister.

Sebastian

Happy times!

So when Dan Deacon began his set to the sound of ‘Under The Sea’ I knew ALL the words and could probably sing them double time too. And so began the best gig I’ve been to in years.

Dan Deacon desk + light

Trying to explain to those who weren’t there precisely why 110 people stuck around in a sweltering basement for over an hour last Thursday night, why 110 people yelled “Horsey! Horsey!” over and over again, why 110 people screamed from tiny lyric sheets for 12 mintues…is a bit hard. Was it Mr. Deacon’s hilarious between song banter? Was it because, from the very start everyone was brought into Dan Deacon’s very odd world of Aerosmith guns and audience participation? Or was it because, when it came down to it, house lights off, PA up, the sound of Dan Deacon was the closest I’ve ever felt to being inside dance music.

Dan Deacon - surrounded

I think it might have been as ‘The Crystal Cat’ came pounding out, when the crowd made its first involuntary lunge toward the source of the sound. Or perhaps it was earlier, being ordered to stare only at strangers during an almost ritualistic countdown to the start of the gig. God, maybe it was the first time we all heard Woody Woodpecker in our collective rooms on our collective stereos. Whenever it was, whatever it was, I’ve never seen so many people so damned happy to be in one place together.

Dan Deacon - singing

I’ll leave it to the comments box for personal highlights but mine was, inevitably ‘Wham City’. Due to a slight (and possibly deliberate) mis-understanding I’d printed out 110 A6 lyric sheets for the epic track and then proceeded to force them on everyone who came through the door. Little did I know that Dan hadn’t planned on playing it on his UK tour. Thankfully, some dry fingered souls found it on his iPod and, swayed by the overwhelmingly enthusiasm of the crowd, he obliged with 12 minutes of pure green-skull-illuminated bliss only enhanced by a sweaty chorus of delirious fans singing in unison at the tops of their voices.

Seven and a half hours later I was on a train to London, ‘Spiderman of the Rings’ playing on my headphones, trying not to cry with joy at the memory of the night before, as men with laptops looked at me strangely.

Happy times!

all photos courtesy of www.thedirtysnake.com…except Sebastian. He’s used completely without Disney’s permission.


Fight, for you’re right

August 6th, 2007

For those lucky enough to enter the fortress on Friday - mega thanks for coming. Justice remains elusive, it’s a stuggle and we know. Refuse to lose.

Comanechi were awesome, White Heat kept our feet moving (you guys rule) - sweeeet

Come back in two weeks for the almighty Upset The Rhythm takeover. They’re bringing the heavy genius that is HEALTH. We can’t wait.

LOVE














Behold the Hypnotic Grind

July 23rd, 2007

The Gods of Water spared our little basement from meteorological catastrophe, and in flooded the winning crowd YEAH! Barbaric White Elephant stamped all over the discotheque with their deranged whatever-core. Those guys are going all the waaaayyy. And of course the super-mighty Trencher blew us away with their hypnotic-synth-doom-power-grind. Shake your bones!!! Brighton had missed you, thunder on.

Thanks to Toy Pirate for the POWER UP. Two weeks until White Heat takeover! It’s their birthday y’know…..

Friday looked something like this:

The Do 20th July
The Do 20th July
The Do 20th July
The Do 20th July
The Do 20th July
The Do 20th July
The Do 20th July
The Do 20th July
The Do 20th July
The Do 20th July

LOVE


Animalia Extremus

June 18th, 2007

Extreme Animals are what Neu/Rave should have been: not indie kids shaking glowsticks to other indie kids playing indie music in a two-bit revolution sponsored by NME, hah, but weirdo kids enraptured by the true power of psychedelic dance music turning into bizarro creatures halfway between Tron and Troll in an 8-bit revolution graphically captured by their associated in the mighty Paper Rad collective, yeah, the guys who do the Load Records visuals. Y’know, like this…….

What’s it like? Vicious lo-fi prog punk gabber aerobic not Fonda but Vega, Imagine Crystal Castles playing pokemon in the gutter, Lightning Bolt Lego Mindstorms kits, Services dating Scotch Egg and you’re not there, you’re in the hyperspace paradox and you will never come back home again, have fun.

Live at the Greenhouse Effect [map] on the 26th with Paper Rad videos, support from Cornhole Spazz Prog surfers Phil Collins 3 and mighty improv beast Medicine and Duty doing a ‘drone music’ aka dance set, perhaps powered by the Body Rap machine. Oh dear.

Love&Enlightement


GvsY = teh total awesome!1!

June 18th, 2007

Seriously. Even if they caused our new security to hate us, the bar staff to fear us and the crowd to roll around the floor screaming their unconditional love for us. Yeah, it was good. The London clubs are going to have hard task ahead making the summer this special. Without further haste, the photographic evidence..
x TheDoCru x
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Someone bought our album!

June 10th, 2007

The Do in record form


The Do has Eyes

June 3rd, 2007

…..and so The Do returned. Indian Jewelry killed it with their strobe-lit freak-out straight from the crazed deep south. We quickly scrambled to regain our senses and mental faculties. Old favourites made the party go bang once more. You warmed our hearts yes. The Do had missed y’all. Photos will be hitting the blog from here-on in. Get your fine selves in the picture. See you next time! Love The Do Gang x














DOCD03

June 2nd, 2007

If you weren’t one of the first 48 (don’t ask) people through the door last night you’ll have missed out on the 3rd in our DOCD series. For entrant 49 and onwards, you can grab a copy of it here.

Thanks to everyone who came last night!

Tracklist:
1/ Gay Against You - Gay Unicorn
2/ Best Fwends - Skate and Live (Goto80 remix)
3/ Extreme Animals - God Jam (E*Rock remix)
4/ Xerox Teens - Onkawara
5/ The Mae Shi - Takoma The Dolphin Is AWOL
6/ Comanechi - Rude
7/ Health - Crimewave
8/ Aa - Thirteen
9/ Marnie Stern - Grapefruit
10/ Creeping Nobodies - Sacrosanction
11/ Indian Jewelry - Lying On The Floor
12/ Dan Deacon - Wham City


Dan Deacon is my heroin

May 17th, 2007

This man is a god:

Impossibly great album - check. Bat shit mental live show - check. References to Terry Riley- check. I love Dan Deacon’s high bpm madness more than anything else right now. It’s the joyous sound your body makes the moment before you crash into a sweaty heaving dancefloor. Later, it’s the sound of one eye open to sunrise, your hair stuck to that grin on your face. It’s the most perfect 46.3 minutes on record this year and I will be playing the fuck out of it when The Do returns.

and this, from a sly summery next to his last (free!) album. Click to get it:

His performance and compositional techniques shows strong influences from the Fluxus Movement, Italian Futurism, Performance Art, Spiderman, Absurdism, and the current movement in underground rock. While maintaining a constant performance and tour schedule Dan has spent most of his time working on pieces for brass ensemble, string quartet, solo cello, solo study and his study in mid and high frequency sine waves.

Check out the impossibly awesome video for The Crystal Cat, like, RIGHT NOW!